Tjejer i malmö knulla med hästthese passages in her text it reflected my thinking around. For me, from here, from Ecstatic Resistance to social movement, its all about the way people move in political ways, in counter-cultural ways, in formal ways and conceptual ways. I dont like to work with the spectacle and the boundaries of performance, or at least how people commonly refer to the term like something starting and ending. And that is really the form of what she does.
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Ecstatic Resistance wants to think about all that is unthinkable and unspeakable in the Eurocentric, phallocentric world order. It develops the positionality of the impossible alongside a call to re-articulate the imaginary. I mean writing seems for me to be a very crucial way for me to learn and to make some things more sweden escort call girls stockholm concrete. Under 2010 har hennes verk bland annat visats på Whitneybiennalen, Greater NY på Moma PS1, Mixed Use: Manhattan på Reina Sofia i Madrid och Bukarestbiennalen. I just think, this is a really interesting thing for us sweden escort call girls stockholm to do together. So it is interesting to think of a different vocabulary. What interests you about that place? Sense and Sense är Emilys Roysdons första utställning i Sverige. KE: For this project you have worked with performance artist Megan Palaima aka MPA.
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How do you see the relationship between your engagement in lttr and the individual and maybe more object-oriented works you have exhibited this year in exhibitions like The Greater NY at Moma PS1 or at The Whitney Biennial? The most important thing for me is the conceptual frame, the improvisation and the who am I doing it with. It is about waiting, and the temporality of change. Its a simple repetition, but it doubles in on itself to make 'sense' less clear, common sense questioned, and non-sense present. KE: In 2001 you, Ginger Brooks Takahashi and K8 Hardy founded lttr, which is a feminist queergender collective. I feel that these conversations really impacted how this work is going. Shes just like: yeah, lets do it, whatever it is, lets. And it is not about being able to be bossy, but it is about figuring something out and improvising together. But what I see there now, the vernacular of it, everybody is just zigzagging across it and walking.