She likes a challenge, and she will do difficult things. Again, I think it relates to the same vocabulary in terms of organizing. It is really about approaching the concepts of language and the impossibility and the imaginary in ourselves. When Mouffee says 'sense and sense' she is talking about consensus and governing through avoiding conflicts.the agreement on what we can perceive and of the meaning of what we can perceive." When I first read

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these passages in her text it reflected my thinking around. For me, from here, from Ecstatic Resistance to social movement, its all about the way people move in political ways, in counter-cultural ways, in formal ways and conceptual ways. I dont like to work with the spectacle and the boundaries of performance, or at least how people commonly refer to the term like something starting and ending. And that is really the form of what she does.

It wants to talk about pleasure in the domain of resistance sexualizing modern structures in order to centralize instability and plasticity in life, living, and the self. But if you think about the power dynamics of these roles, to me, I think Im more interested in building conceptual frames and improvising inside of them. In particular I think Sense and Sense made sense for how I was thinking about Sergels torg as a utopian space, a practical site, an ideological location, and a representation of the city. Samtidigt; när man närmar sig själva platsen och tittar ner över räcket blir Sergels torg en panoptisk plats och en abstraktion. I nyare projekt kopplar jag det till en bredare innebörd i begreppet koreografi koreografi som organiserad rörelse i estetisk och politisk bemärkelse.


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Ecstatic Resistance wants to think about all that is unthinkable and unspeakable in the Eurocentric, phallocentric world order. It develops the positionality of the impossible alongside a call to re-articulate the imaginary. I mean writing seems for me to be a very crucial way for me to learn and to make some things more sweden escort call girls stockholm concrete. Under 2010 har hennes verk bland annat visats på Whitneybiennalen, Greater NY på Moma PS1, Mixed Use: Manhattan på Reina Sofia i Madrid och Bukarestbiennalen. I just think, this is a really interesting thing for us sweden escort call girls stockholm to do together. So it is interesting to think of a different vocabulary. What interests you about that place? Sense and Sense är Emilys Roysdons första utställning i Sverige. KE: For this project you have worked with performance artist Megan Palaima aka MPA.

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How do you see the relationship between your engagement in lttr and the individual and maybe more object-oriented works you have exhibited this year in exhibitions like The Greater NY at Moma PS1 or at The Whitney Biennial? The most important thing for me is the conceptual frame, the improvisation and the who am I doing it with. It is about waiting, and the temporality of change. Its a simple repetition, but it doubles in on itself to make 'sense' less clear, common sense questioned, and non-sense present. KE: In 2001 you, Ginger Brooks Takahashi and K8 Hardy founded lttr, which is a feminist queergender collective. I feel that these conversations really impacted how this work is going. Shes just like: yeah, lets do it, whatever it is, lets. And it is not about being able to be bossy, but it is about figuring something out and improvising together. But what I see there now, the vernacular of it, everybody is just zigzagging across it and walking.